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Speaking of books, I finally finished The Lovely Bones (after about 6 months of trying to read it). I’m always a little late on the “popular” books. I like to wait until the hype dies down and I can settle into it after the attention has faded away.

Let me preface this in two ways:

1. I read The Lovely Bones immediately after reading Alice Sebold’s, Lucky. I loved Lucky. So, naturally, I was expecting to have the same reaction to the #1 National Bestseller, The Lovely Bones.

2. I did not (and still have not) seen the movie. I always try and read books before I see movies to make sure my imagination has a run at illustrating a story before the movies just take over.

A little background (courtesy of Wikipedia):

The Lovely Bones is the story of a teenage girl (Susie) who, after being raped and murdered, watches from Heaven as her family and friends struggle to move on with their lives while she comes to terms with her own death. The novel received much critical praise and became an instant bestseller. A film adaptation of the novel, directed by Peter Jackson who personally purchased the rights, was released in American theatres on January 15, 2010, and in the UK on February 15, 2010.

I wanted to like this book. I wanted to love this book. Perhaps it’s my fundamental belief that the best books/novels/articles come from writing what you know. Getting lost in the unknown is rewarding, too. I enjoy a wonderfully entertaining Sci-Fi book — something that’s so far fetched it requires a wild imagination to even begin to comprehend. However, looking down on your family from heaven might just hit a little too close to my heart.

I didn’t want to have a violently negative reaction to this book. I had set out to read this book about six months ago. It generally takes me no more than one month to read a book, cover to cover. I almost gave up on this book a dozen times, but I’m not a quitter. I had to finish, and I’m glad I did.

Sebold tells the story in an incredibly realistic manner — she doesn’t use vivid imagination to describe heaven, her details are lazy at best. She’s extremely matter-of-fact. And I’m just not convinced.

For many (myself included), heaven, as a destination, is very religious. Sebold’s perception of heaven was completely devoid of any religious aspects. It takes on the stereotypical “whatever you want and don’t materially have in life, you’ll have in the afterlife” stance. There’s no suggestion that anyone has been judged — in fact, Susie doesn’t even wonder what happens to people like her murderer. Her heaven is powerfully cute — like, eye-rolling cute. Susie’s pet dog dies and arrives in her heaven.

Other critics that alluded to the idea that this book is inherently positive despite being centered on a young girl’s rape and murder are just wrong. The sentiment in the book is a highly approximated imitation of feeling.

Not to mention, a scene in which Susie falls from Heaven and takes over her best friend’s body. In that time, she makes love to her crush who recognized her immediately. Like a scene straight from “Ghost.”

As a foreign review states, “Ultimately [The Lovely Bones] seems like a slick, overpoweringly saccharine and unfeeling exercise in sentiment and whimsy.”

Couldn’t have said it better myself.

Anyone else read The Lovely Bones? What did you think?

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